Jane Gotch performs April 12th, 2013
Friday April 12th, 2013, Opening reception 6-10pm
Better Block KC performance Friday,October 5th, 2012
Jane Gotch and Justin Hundley perform
6:30-7pm between 16th and 17th Streets at Grand Street
This performance is part of a national initiative called, Better Block. As part of First Friday, Jason Roberts has brought Better Block to KC.
The “Better Block” project is a demonstration tool that revisions an area to show the potential to create a great walkable, vibrant neighborhood center. The project acts as a living charrette so that communities can actively engage in the “complete streets” buildout process and develop pop-up businesses to show the potential for revitalized economic activity in an area. Better Blocks are now being performed throughout the country, and have helped cities rapidly implement infrastructure and policy changes.
More information can be found at:
http://betterblock.org/
http://betterblockkc.tumblr.com/
http://www.facebook.com/BetterBlock
AN INSIDE JOB Friday, May 18th, 2012 6:30-8pm, FREE!
Photography by Laura Graham Isaac
A new performance installation as part of THE FRONTIER
A 15th anniversary celebration of The Charlotte Street Foundation
At PARAGRAPH GALLERY, 23 East 12th Street, KCMO 64105, Friday, May 18th, 6:30-8pm
In collaboration with Abbe Findley, Katie Ford, Laura Frank, Laura Graham Isaac, and Tiffany Sisemore.
Through video, visual constructions, and live movement, the team investigates the human action of sensing. Seeker, Bystander, Sensor and Avoider, a pattern is edge of you interacting with the space.
Our creative process will put to practice the research of professor and occupational therapist, Dr. Winnie Dunn — shaping a performance that utilizes each participants (artist and viewer’s) referential world.
For more information visit thefrontierkc.wordpress.com or www.charlottestreet.org
David Ollington review of and we hold tight together
“Cellist Justin Cowart accompanied “and we hold tight together,” a trio by Jane Gotch. Gotch intuitively created a piece with nuance and subtle changes in energy. It hypnotized us with dynamic yet simple relationships between the dancers and a powerful cellist.”
www.kcactive.com February 12, 2010







